Abbreviations
b = black and white, c = color
En = Beck's entertainment value, Ed = Beck's educational value
N
Nancy Drew and the
Hidden Staircase (1939 b 60')
En: 6, Ed: 5
Based on Carolyn Keene's novel, Nancy gets Ted to help her find
a murderer trying to scare two old ladies out of their house.
This amusing mystery moves quickly with persistent youthful
energy as the precocious Nancy manipulates Ted into committing
several crimes to help her solve the case and preserve the ladies'
charitable bequest.
Nancy Drew - Detective
(1938 b 66') En: 5, Ed: 4
Based on stories by Carolyn Keene, two teenagers find a kidnapped
woman.
This detective story with young heroes was so popular that
other Nancy Drew movies soon followed, indicating the trend for
movies about teen-agers, who are smart and full of energy and
initiative. In this mystery they save an elderly lady from being
exploited for her wealth by being imprisoned in a sanitarium.
Nancy Drew ... Reporter
(1939 b 68') En: 5, Ed: 4
As a student reporter Nancy investigates a murder case, believes
the arrested woman is innocent, and uncovers the murder conspiracy.
Once again the youthful Nancy uses various devices to follow
the clues she luckily finds so easily. Journalism proves to be
a useful entry into crime investigation.
Nancy Drew ...
Troubleshooter (1939 b 68') En:
5, Ed: 4
Nancy is jealous of her father's romance but manages to track
down two murderers, who have framed her father's friend.
This mystery includes comedy and exciting adventures as Nancy
puts aside jealousy for her father's attention to engage in the
lure of detective work with her boy-friend Ted.
Narrow Corner, The (1933 b 69') En: 5, Ed: 5
Adapted from a novel by Somerset Maugham, a fugitive travels the
south seas and falls in love.
This philosophical melodrama portrays a desperate man on the
run to the far corners of the earth; but, meeting new friends,
he regains hope despite the tragic death of the man he admired.
Naughty But Nice (1939 b 90') En: 5, Ed: 4
A music professor has his melodies turned into popular songs;
but a singer seduces him for a new publisher, and his new lyricist
steals classical music.
This musical comedy reflects the current vogue of swing music
and wild dancing that some consider naughty; but even though the
abstinent professor gets plastered, the emphasis of this farce
is on the nice.
Naughty Marietta (1935 b 104') En: 6, Ed: 6
In this adaptation of Victor Herbert's operetta a French princess
flees an unwanted marriage by joining contracted brides going
to New Orleans, where she meets a mercenary captain.
This musical entertains with fine music while expressing the
democratic theme of a princess leaving the aristocracy to marry
a soldier in the wilderness.
Navy Blue and Gold
(1937 b 94') En: 6, Ed: 6
George Bruce adapted his book about three football players who
room together at the Navy academy.
The positive attitudes of Dick and Truck are contrasted to
the cynicism of the athletic Roger, who nevertheless expresses
the Navy spirit in helping Dick and Truck. Football represents
fighting battles but with fewer casualties.
Never the Twain Shall
Meet (1931 b 79') En: 4, Ed: 5
This parable explores the clash between cool western civilization
and the warmth of the tropical east.
This story plays out the fantasy of a white man being involved
with a sexy native woman. Dan seems to have given up passion and
become indifferent like Maisie, because he prefers western civilization.
New Frontier, The (1935 b 54') En: 5, Ed: 4
When a trail herder's father is murdered, he becomes sheriff to
bring law and order to a new town.
This basic story of a good man becoming sheriff of a lawless
town to kill murderers would be repeated many times, because the
violent conflict entertains while bringing across the theme of
law and order.
New Moon (1930
b 78') En: 6, Ed: 5
Based on an operetta with music by Sigmund Romberg and lyrics
by Oscar Hammerstein II, a princess falls in love aboard ship
with a heroic lieutenant.
Innuendo pervades this film as Igor encourages the lovers.
Yet the Russian lieutenant's only wedding present for the princess
is a pistol. The excellent music and Igor's wit overcome an otherwise
violent story.
Next Time We Love (1936 b 87') En: 6, Ed: 6
A foreign correspondent and an actress marry, but their careers
allow them little time together.
This realistic drama explores the difficulties of a married
couple when both have successful careers that cause them to be
separated. Already international conflicts are beginning to affect
some Americans, who are sensitive to world issues.
Night at the Opera, A
(1935 b 91') En: 8, Ed: 7
The three zany Marx brothers play havoc with an opera company
and manage to replace the egotistical tenor with the young one
in love with the soprano.
This anarchic mayhem with a heart spoofs society's authorities
and social conventions. Groucho says and Harpo does what most
people may only dare to think. The cleverness makes it top-notch
entertainment with biting social satire.
Night Court (1932
b 92') En: 6, Ed: 6
Based on the play by Mark Hellinger and Charles Beahan, a corrupt
judge frames a young mother on prostitution.
Moffett's fear of being caught for corruption leads him to
go too far in framing an innocent person, resulting in the unraveling
of the graft network. A bad judge can ruin many people's lives,
especially the poor who cannot afford good lawyers while letting
the corrupt get away with crimes.
Night Must Fall (1937 b 117') En: 6, Ed: 5
Based on a play by Emlyn Williams, a man charms and is hired by
an ailing lady, but her niece suspects he is a murderer.
Fine acting enhances this mystery drama that contrasts the
pleasing personality of Danny with his gruesome deeds. Mrs. Bramson
is completely taken in by his manner, but Olivia suspects correctly
it is an act. Similarly audiences are entertained by such mysteries
that are not real. Yet how many are also fascinated by gruesome
murders that are real?
Night Nurse (1931
b 72') En: 6, Ed: 6
Adapted from Dora Macy's novel, a nurse discovers an attempt to
starve children to gain a trust fund and saves the children.
Notorious for showing the nurses changing clothes, this dramatic
story portrays a bootlegger as helpful and a woman victimized
with the use of alcohol. The real heroine is the courageous night
nurse, who is not afraid to risk her career to help people in
need.
Ninotchka (1939
b 110') En: 8, Ed: 8
A Communist envoy in Paris aims to sell jewels for her country
but falls in love with a playboy.
This romantic comedy satirizes Communist ideology and social
customs in contrast to glamorous Paris as the disciplined Ninotchka
gradually thaws out under the influence of love.
Nitwits, The (1935
b 82') En: 5, Ed: 4
A blackmailing murderer is caught by two nitwits trying to clear
a girl-friend in this mysterious comedy.
Wheeler and Woolsey manage to entertain by making mirthful
madness out of a murder mystery.
No Man of Her Own (1932 b 81') En: 5, Ed: 6
Sparks fly in the only movie Gable and Lombard made together about
a crooked gambler, who is persuaded to go straight.
Cynics may ridicule this story of a gambler, who is moved to
reform his life by a small-town woman; but to me it seems realistic
that such a man might realize the emptiness of the scams and truly
want to change his life in order to live with a such a beautiful,
kind, and intelligent woman.
No More Ladies (1935
b 81') En: 6, Ed: 5
Based on the play by A. E. Thomas, a woman marries a playboy,
gets jealous, and finds a lover to show she can do it too.
A strong woman in love with an amorous flirt decides to try
to even up the double standard in this comedy in order to preserve
her marriage and her happiness.
No Other Woman (1933
b 58') En: 5, Ed: 4
A steel worker marries and helps his wife's friend develop a successful
business but finds another woman and sues for divorce.
This realistic drama portrays the common story of a husband
who goes on binges and falls for another woman even though he
has a faithful wife and fine son. The attempt to manipulate a
trial backfires, enabling him to learn a hard lesson in prison.
Anna cleverly provoked the truth by telling an even more outrageous
lie against herself, arousing the pity of the husband who loves
her.
No Place to Go (1939
b 56') En: 5, Ed: 4
Based on a play by Edna Ferber and George S. Kaufman, a retired
man lives with his son and his wife and befriends a poor boy.
This domestic drama explores whether an elderly parent should
live with his children. Andrew finds he fits in much better with
his own age group and with the young friend that he makes.
Nobody's Baby (1937 b 68') En: 5, Ed: 4
Two women become nurses, double-date, and take care of a baby
while the mother goes to inform the father.
In this comedy wise-cracking Kitty tolerates the foolishness
of Lena. These two working women are independent enough to decline
sudden marriage.
Nothing Sacred (1937 c 74') En: 7, Ed: 7
A reporter and his editor publicize a young woman dying of radiation
poisoning only to learn she is healthy.
This scintillating comedy satirizes modern public relations
and publicity campaigns that play upon the public's emotions.
Notorious Affair, A
(1930 b 67') En: 4, Ed: 5
Based on a play by Audrey and Waverly Carter, a woman from high
society marries a nervous violinist, and each considers having
an affair.
The performance of Billie Dove adds luster to this drama about
a high-strung violinist whose whole being seems disturbed by his
or his wife's adultery.
Nuisance (1933
b 83') En: 6, Ed: 6
A shyster lawyer, who sues ruthless corporations for accident
victims, falls in love with the company's detective.
The fast-talking Stevens plays every trick he can against the
"soulless corporations" on behalf of the downtrodden
whether it is ethical or not until he is ensnared by a beautiful
woman. Now can he become honest or will he lose her?
O
Of Human Bondage (1934 b 83') En: 6, Ed: 7
In the first film of Somerset Maugham's novel a medical student
falls in love with a waitress, who loves others instead until
it's too late.
This realistic portrayal of frequent unrequited love shows
the negative side of the sexual bond. Sadly, Mildred's tendency
to turn destructive when relationship is tested ends in her own
demise. Carey, the shy introvert, has difficulty expressing his
feelings but eventually matures enough to find a possibly balanced
relationship.
Of Human Hearts (1938 b 104') En: 7, Ed: 8
Based on Honoré Morrow's novel, a preacher raises his son
in a poor area; but his mother helps the son become a physician
in the Civil War.
This masterful drama of human relations contrasts the spiritual
values of Ethan to the more worldly yet humanitarian concerns
of Jason, while Mary loves and supports both. Lincoln well represents
the poignant concern for a long-suffering mother.
Of Mice and Men (1939
b 106') En: 7, Ed: 7
Adapted from John Steinbeck's novel and a play, a friend tries
to keep a brawny simpleton out of trouble as they work on a farm
to gain a stake.
In this tragedy several people are unhappy with their situations
and want to change them; but George is unable to keep the strong
Lennie from killing accidentally, suggesting how vulnerable human
life is to violence.
Office Wife, The (1930
b 59') En: 4, Ed: 5
Adapted from Faith Baldwin's novel, a businessman discovers that
his secretary is closer to him than his wife.
This drama shows how a businessman spends so much time with
his secretary that he may neglect his wife, proving the theme
of the book on how the office wife controls the businessman.
Oil for the Lamps of
China (1935 b 98') En: 6, Ed:
7
A man dedicates his life to a big oil company's work in China
in this adaptation of the novel by Alice Tisdale Hobart.
This realistic drama explores the personal sacrifices made
by employees of a transnational oil company and their families.
Stephen is barely able to love his wife as much as his work; but
she is expected to give all for him and his work. The unrealistic
deus ex machina ending may have been designed to avoid offending
powerful oil companies.
Oklahoma Kid, The (1939 b 81') En: 6, Ed: 5
In the new town of Tulsa after his law-abiding father is framed
and lynched, an outlaw gets revenge by killing those most responsible.
In 1895 Indian land is taken for settlers. In the wild West
a crooked gang gets its way until another violent outlaw gets
revenge.
Old-Fashioned Way, The
(1934 b 71') En: 6, Ed: 5
The Great McGonigle tries to keep his theatrical troupe ahead
of the sheriffs, but his daughter falls in love with a rich young
singer.
The comedic talent of W. C. Fields carries this show alone;
so his fans will find it a delight. The story suggests how tenuous
life could be for a traveling theatrical troupe at the turn of
the century.
Old Dark House, The (1932 b 71') En: 6, Ed: 4
Based on J. B. Priestley's novel Benighted, five stranded
travelers have to stay overnight in the old dark house of the
strange Femm family.
This film creates a mood of anxiety and fear of a brutal butler
and an insane relative, while one night is enough to convince
Penderel and Gladys they want to marry.
Old Hutch (1936
b 80') En: 5, Ed: 4
A poor man, who doesn't work, finds stolen money but can't spend
it.
This story portrays a poor and lazy character who complains
and makes excuses. The money he finds sets up an irony when he
is unable to spend it. Nonetheless the well-to-do Dave loves his
pretty daughter.
Old Maid, The (1939
b 95') En: 7, Ed: 8
Adapted from a play by Zoe Akins based on Edith Wharton's novel,
two sisters love the same man, and one blocks the wedding of the
other.
This drama reflects the social discrimination based on class
and illegitimacy. Delia marries a Ralston from fear of being an
old maid, but lying to a Ralston causes her sister to endure that
fate in an era when a woman's social role depended heavily on
her husband.
On Borrowed Time (1939 b 99') En: 7, Ed: 8
Based on Paul Osborn's play from a novel by Lawrence Edward Watkin,
an old man traps death so that he can take care of his orphaned
grandson.
This inspiring parable shows the importance and value of death
in releasing souls from irreparable bodies. The influence of the
good-hearted cursing and temper of Julian is contrasted to the
prim self-righteous but selfish zeal of the sour Demetria.
On Your Toes (1939
b 94') En: 5, Ed: 4
Based on the Rogers and Hart musical play by George Abbott, a
Vaudeville dancer composes a jazz ballet for a broke Russian ballet
company.
This film emphasizes the comedy and ballet as it satirizes
the pretensions of the refugee Russians and their artistic ballet.
One Hour with You (1932 b 77') En: 7, Ed: 7
Based on the play Only a Dream by Lothar Schmidt, George
Cukor and Ernst Lubitsch directed this musical comedy about a
happily married couple who flirt with affairs.
This story affirms a happy marriage while titillating the audience
with affairs as another marriage breaks up. André is almost
too charming for his own good, and Colette's jealousy actually
pushes her husband into an assignation. Yet in the end the strength
of their love for each other triumphs.
One Hundred Men and a Girl
(1937 b 85') En: 7, Ed: 7
The daughter of an unemployed musician manages to get funding
and Stokowski to conduct an orchestra of jobless musicians.
This moving and amusing film has great music. The extraordinary
effort of a young woman helps the wealthy and a famous conductor
to help deserving musicians who need work, which results in more
music and wider prosperity for society, reflecting one of the
many liberal policies that helped to alleviate the Depression.
One in a Million (1936 b 94') En: 6, Ed: 5
A promoter discovers a champion ice skater training for the Olympics
and almost damages her amateur standing by putting her in a show.
This musical comedy cashes in on the figure skater's fame from
the recent Olympic games, mimicking the dramatic conflict between
amateur athletics and professional show business.
One Sunday Afternoon
(1933 b 69') En: 5, Ed: 5
Based on a play by James Hagan, a dentist wishes he had married
someone else; but years later he realizes he loves his wife better.
Though he has his own violent tendencies, the shy Biff comes
to realize that Amy's sincere love is precious compared to the
crassness of Hugo and Virginia.
One Way Passage (1932 b 68') En: 7, Ed: 7
This Oscar-winning original story is about a romance on a ship
between a man condemned to be executed and a woman doomed to an
early death.
This story shows how the crisis of facing death can stimulate
people to appreciate living in the present. Dan nobly gives up
his chance to escape in order to care for Joan when she faints.
The confidence tricks and pick-pocketing of Skippy and Betty seem
benevolent as they help their condemned friend. This is a story
for the heart, not the head.
Only Angels Have Wings
(1939 b 121') En: 7, Ed: 7
Pilots risk their lives flying mail over the Andes, and a woman
visitor explores whether love with such is possible.
This tough drama foreshadows the dangers of the coming air
war as men and women learn how to be detached about life and death.
Operator 13 (1934
b 85') En: 5, Ed: 5
Two actresses serve the Union cause by spying in the South, but
one falls in love with a Confederate officer in charge of spying.
Although Gail's initial disguise is absurd, this story does
reflect actual incidents in the Civil War, and the romantic love
makes the violence of war seem more absurd than anything else.
O'Shaughnessy's Boy
(1935 b 87') En: 5 Ed: 5
A lion-tamer's wife, influenced by her sister, takes take their
son away; after his wife dies, he tries to get his son back.
This dramatic story shows how hatred can poison one parent
against another and divide the feelings of the child. Windy shows
he is capable of mastering the bestial nature by overcoming his
fear.
Other Men's Women
(1931 b 70') En: 5, Ed: 5
When his wife realizes she loves her husband's best friend, the
husband gets hurt and sacrifices himself on their railroad job.
In this romantic triangle the lover is honest with the husband;
but they still fight with tragic results. It is difficult not
to get upset when such powerful emotions are aroused. Finally
the husband makes a heroic sacrifice so that his wife and his
friend can be happy.
Our Betters (1933
b 83') En: 5, Ed: 6
This sophisticated comedy based on a play by Somerset Maugham
satirizes the liberal morals of the English aristocracy and social
climbers.
Although the acting is uneven, this drawing-room comedy skewers
the idle upper class and their subtle games of social influence
and love.
Our Little Girl (1935 b 65') En: 5, Ed: 6
A little girl is upset by her parents' breaking up and manages
to pull them back together.
This story depicts the common frustration of the bored housewife
of a husband who is too busy with his work. The child's love and
their love for the child keep them together in that difficult
circumstance.
Out West With the Hardys
(1938 b 84') En: 6, Ed: 6
The Hardys find challenges and personal problems to solve on the
ranch of the Judge's old flame and her husband.
The cocky Andy learns humility in this episode while Marian
once again finds she is not ready for an older man. The Judge
finds a solution to the problem of water rights while his loyal
wife as usual is ready to risk all for her husband's plans. With
no violence this small-town family entertains with dramatic but
realistic problems.
Outcasts of Poker
Flat, The (1937 b 68') En: 5,
Ed: 5
Based on Bret Harte's story, a gaming-hall owner adopts a lucky
orphan and prospers until a minister, school-teacher, and a citizens
committee arrive.
Helen believes that she can build empire by pushing her man
in the right direction; but in the violence of the wild west that
fails in this case.
Outward Bound (1930
b 83') En: 5, Ed: 7
Based on Sutton Vane's 1923 play, passengers on a ship learn they
have died and face an examination, except for two who attempted
suicide.
This spiritual story offers many insights into the experiences
that follow death when souls face the consequences of their lives.
Suicides have run away from life and have to wait for their judgment
day.
Over the Wall (1938
b 67') En: 5, Ed: 4
Based on a story by Warden Lewis E. Lawes, a pugnacious boxer
is convicted of manslaughter but becomes a singer and is pardoned.
This drama shows the problems that can result from fighting
and the corruption that may exist in the boxing racket. Jerry
gradually learns to control his temper and direct his energy into
something positive like singing.
P
Pacific Liner (1938
b 76') En: 5, Ed: 4
A cholera outbreak in a ship's engine room puts pressure on the
workers, the engineer, a doctor, and a nurse.
This drama portrays the hard work and dangers of the workers
who keep a steamship going. Nurse Ann loves and admires Dr. Craig
for his outstanding work on tropical diseases yet wishes him to
settle down in her home town. He is tempted by the idea but finds
his work calling him and hopes she will join him.
Page Miss Glory (1935 b 93') En: 6, Ed: 5
Based on a play by Joseph Schrank and Philip Dunning, a composite
photo wins a beauty contest, and publicity leads two con men to
find a maid to play the role.
This comedy satirizes the publicity hysteria that may surround
a glamorous woman or a sensational aviator.
Paid (1930
b 86') En: 5, Ed: 4
This adaptation of the play Within the Law by Bayard Veiller
shows how a woman unjustly sent to prison for grand larceny gets
revenge against the wealthy persons who framed her.
The background of this unusual revenge drama shows how society
has varying standards of justice depending on one's income and
social standing.
Painted Desert, The
(1931 b 75') En: 4 Ed: 5
Two friends quarrel over a found baby, starting a feud over water
that is finally settled when the child grows up and develops a
mining business.
This story shows how the hostility of a western feud can go
on for a long time until a young intermediary they both value
can bring the opposed sides together. Best friends had become
worst enemies because of their stubborn resentment. Fortunately
the next generation had better attitudes.
Painted Veil, The (1934 b 84') En: 5, Ed: 6
In this adaptation of Somerset Maugham's novel a woman marries
a doctor and goes with him to China; she falls in love with a
married man but stays with her husband during an epidemic.
In the novel Walter dies of the plague, and the wife feels
free except that she sleeps with Townsend one more time. The moralized
film version has Katrin find love in her marriage. Walter's dedication
wears off on her, as her respect for him grows when they are alone
together. The British viewpoint shows the Europeans trying to
save the ignorant Chinese, though there is some recognition of
the subtlety of Chinese culture.
Palooka (1934
b 86') En: 5, Ed: 4
Based on the comic strip by Ham Fisher, the son of a boxer gets
a manager who lines up fixed championship fights, as the champ
enjoys a new girlfriend.
Durante adds comic flair to this story about fixed boxing.
The innocent young man is tempted away from his country sweetheart
by a fast city woman.
Pals of the Saddle
(1938 b 54') En: 5, Ed: 4
Three cowboys help a woman in the Secret Service stop a smuggling
ring trying to get poison gas to another country.
This western reflects the fear that the poison gas used in
the world war may be used again.
Parachute Jumper (1933 b 72') En: 5, Ed: 5
Two U. S. Marines flyers leave Nicaragua, can't find a job, and
wind up flying for a bootlegger in New York.
These two flyers went from serving U. S. imperialism in Nicaragua
to working for a bootlegger after suffering from the Depression.
Smuggling dope is seen as worse and more dangerous than liquor.
Alabama also has difficulties trying to market her secretarial
skills, while the gangsters find their life-span is short.
Paradise for Three
(1938 b 79') En: 6, Ed: 5
Adapted from Erich Kaestner's novel, a wealthy businessman goes
incognito on vacation with the unemployed winner of his soap contest,
who falls for his daughter.
This comedy contrasts the gold-digging Irene with the poor
Fritz falling in love with Hilde, not knowing she is rich, while
the wealthy Tobler gets a new perspective.
Paris Interlude (1934 b 72') En: 5, Ed: 4
Based on the play by S. J. and Laura Perelman, an alcoholic reporter
leaves his fiancé in Paris, and she falls in love with
his friend.
In this melodrama Sam's habit of seducing women by asking them
to marry while he is drunk nearly causes Julie to miss the opportunity
to marry her best friend Pat, who also admits he suffers from
hero worship for the maimed flyer Sam.
Parnell (1937
b 118') En: 7, Ed: 8
Adapted from the play by Elsie T. Schauffler, the Irish leader
for home rule overcomes slander but is defeated by a divorce scandal.
This essentially accurate true story portrays Parnell's impressive
political career that was destroyed by his love for a separated
but married woman. Unfortunately negative reviews by critics have
caused this fine film to be neglected when it came out and since
then.
Passion Flower (1930 b 79') En: 4, Ed: 5
Adapted from a novel by Kathleen Norris, a chauffeur marries and
struggles in poverty but is helped by his wife's cousin, causing
him to leave his family.
This dramatic triangle is complicated by the economic disparity
between Dulce and her cousin Katherine. Dan wants to be independent,
but circumstances lead to his accepting much from Dulce. Yet after
a fling he comes to realize that his loyal wife and children are
for him. The story implies that the working poor find more fulfillment
than the idle rich.
Passionate Plumber,
The (1932 b 74') En: 5, Ed: 4
Adapted from a play by Frederick Lonsdale, a plumber plays a lover
for a woman who wants to discourage a married man, but she can't
make up her mind.
This bedroom farce satirizes the lover who tries to avoid marriage
by lying he is married and a shy plumber wanting a pretty woman,
who is not sure what she wants.
Patient in Room 18, The
(1938 b 61') En: 5, Ed: 4
Based on a novel by Mignon G. Eberhart, a private investigator
in the hospital for a rest and a nurse help solve murder cases
that occur there.
This lively mystery moves quickly though the unexpected ending
results from an improbable motive.
Payment Deferred (1932 b 81') En: 6, Ed: 6
Based on a play by Jeffrey Dell, a bank clerk, desperate for money,
murders his nephew and finds some relief when his wife learns
of his guilt.
Will's conscience is relieved by his deferred punishment after
his wife's apparent suicide. This drama ably shows some of the
bad consequences of a horrible crime even though Will seemed to
be getting away with it.
Peg o' My Heart (1933
b 87') En: 6, Ed: 6
This essentially accurate true story portrays Parnell's impressive
political career that was destroyed by his love for a separated
but married woman. Unfortunately negative reviews by critics have
caused this fine film to be neglected when it came out and since
then.
Penguin Pool Murder
(1932 b 66') En: 5, Ed: 4
Adapted from a novel by Stuart Palmer, a school-teacher helps
a police inspector solve a complicated murder.
This detective tale is highlighted by the amusing cleverness
of the feminist Hildegarde, who is a better detective than the
inspector.
Penrod and Sam (1937
b 64') En: 5, Ed: 6
A boy defends a black boy from a bully, and his friends keep the
bully out of their detective club; but he gets to join after they
catch robbers.
This idealized drama of boys catching dangerous bank robbers
shows the trend to make government crime-fighters heroes instead
of the criminals.
Penthouse (1933
b 89') En: 6, Ed: 5
A society lawyer defending gangsters turns detective to prove
his girl-friend's fiancé was framed for a murder.
This gangster mystery combines intrigue with wit and romance.
Friendship with Gazzati and Gertie enables Durant to solve the
case.
Personal Maid's
Secret (1935 b 58') En: 5, Ed:
4
A maid helps the family of an insurance salesman by entertaining
the upper class, but she has a secret from her past.
This story suggests that a good maid can greatly aid the social
and financial status of her employers, but in this era it is probably
just a pleasant fantasy.
Personal Property
(1937 b 84') En: 5, Ed: 5
Adapted from H. M. Harwood's play, a man pursues his brother's
fiancé by getting a job watching her property for the court.
This romantic comedy plays upon the irony that Claude and Crystal
are planning to marry for the other's money when both actually
have little, while Raymond pursues Crystal, and they fall in love,
showing that personal feelings are a better basis for marriage
than property.
Personality Kid, The
(1934 b 68') En: 5 Ed: 4
A boxer managed by his wife wins several fixed fights and then
wins after he agreed to lose.
Unfortunately the ending gives false hope in a sport that is
brutal even when it is not corrupt.
Peter Ibbetson (1935 b 85') En: 5, Ed: 6
Adapted from the novel by George Du Maurier, childhood friends
meet again; but she is married. He is imprisoned for killing her
husband, but they share dreams and the hereafter.
This mystical film was acclaimed by surrealists and explores
the deeper spiritual connections that transcend the physical world.
Petrified Forest, The
(1936 b 83') En: 6, Ed: 5
Adapted from Robert Sherwood's play, a writer falls in love with
a waitress while they are taken hostage by a gang of killers.
The alienated intellectual Alan is contrasted to the desperate
killer Duke in the post-world war era when Nature seems to be
striking back at human arrogance as society tries to cope with
violence.
Phantom of Crestwood,
The (1932 b 77') En: 5, Ed: 4
Radio listeners could enter a contest explaining who killed Jenny
and her companion Carter in this mystery, but they had to see
the movie in order to know the author's ending.
This multiple blackmail gets the audience suspecting several
people, but the unlikely murder motive is family pride, thus keeping
everyone in suspense until the end. Jenny turns out to have been
killed by mistake.
Piccadilly Jim (1936 b 95') En: 6, Ed: 5
A cartoonist and his father woo two women in the family the comics
satirize.
A charming and persistent American wins out over a complacent
British lord despite the obstacles and his deceptions.
Pick a Star (1937
b 70') En: 5, Ed: 4
A pretty singer wins a talent contest but doesn't get a screen
test until a movie star tries to woo her.
This comedy satirizes Hollywood and how pretty women get their
breaks there.
Picture Snatcher (1933 b 76') En: 6, Ed: 5
Based on crime photographer Tom Howard's career, an ex-convict
works for a tabloid getting dangerous pictures while falling for
a cop's daughter.
In this melodrama of a reforming gangster Danny uses questionable
methods to get pictures, but stealing and lying are a step above
extortion and murder. The story shows how a gangster's tactics
can corrupt journalism and vice versa.
Pigskin Parade (1936 b 92') En: 6, Ed: 5
Texas State gets a new coach and finds a great passer for its
big game with Yale in this musical comedy.
This story celebrates the growing obsession with college football,
and no one seems to care that a radical is jailed for two months
so that a star player can fraudulently enter the university to
play football.
Pilgrimage (1933
b 96') En: 5, Ed: 6
In this sentimental film directed by John Ford a mother disapproves
of her son's marriage and gets him drafted; he is killed in the
war, and she comes to realize her error.
The sad lesson of a possessive parent who ruins her son's life
is eventually learned when she finds a similar situation in France.
The tremendous losses in a world war take many forms.
Plainsman, The (1936
b 113') En: 6, Ed: 5
Cecil B. DeMille directed this romanticized version of Calamity
Jane and Wild Bill Hickok stopping the selling of rifles to Indians.
An illustrious lawman in Hays City and Abilene, Hickok did
eventually marry Agnes Lake. The plot of selling rifles to Indians
is apparently a fabrication used to glamorize him as a hero. He
was murdered in 1876 by Jack McCall, who was hanged for it five
months later.
Platinum Blonde (1931 b 89') En: 6, Ed: 5
Frank Capra directed this story of a mismatched marriage between
a reporter and a rich society woman.
This story contrasts an independent and creative writer and
his wild friends with a stuffy society family; Stew shows flair,
though his resort to slugging people is deplorable.
Play Girl (1932
b 60') En: 5, Ed: 5
A woman leaves her job and marries a man before learning he is
a gambler.
This melodrama is a cautionary tale about the instability of
gambling. Yet somehow Wallie's risk-taking and boldness is part
of his charm, and in desperation Buster comes to like gambling
too.
Playing Around (1930 b 66') En: 5, Ed: 4
A young woman goes out with a man driving a fancy car and gets
engaged; but he is caught robbing her father's store by her old
boy-friend.
This simple morality tale warns against playing around with
those who lie and spend money they don't have in order to make
a big impression.
Plough and the Stars, The
(1936 b 67') En: 5, Ed: 6
In this abbreviated version of Sean O'Casey's play about the Irish
rebellion of 1916 a woman weeps while her husband fights.
This movie barely touches on O'Casey's concern that care for
the poor should take precedent over the violent struggle for independence
which caused a patriotic riot when the play was first presented
in 1926. The only principal character to die, Mollser, dies because
of poverty. Yet the film emphasizes the dilemma that men fight
while women love and weep.
Polly of the Circus
(1932 b 70') En: 5, Ed: 5
A pretty trapeze artist falls in love with a minister, but the
scandal causes him to lose his vocation.
Two different life-styles conflict in this romantic drama that
is deepened by the economic difficulty of finding a good job.
Ironically the religion that is supposed to be loving and forgiving
is in this case intolerant and mean.
Possessed (1931
b 76') En: 5, Ed: 5
In this adaptation of Edgar Selwyn's play The Mirage a
poor worker goes to New York and finds a wealthy lawyer, who will
not marry her.
This story shows the double standard that disgraces single
women more than single men for a love affair. Conflicts between
love and ambition and also between different social classes are
explored.
Poor Little Rich Girl
(1936 b 79') En: 5, Ed: 5
The daughter of a wealthy soap manufacturer wanders into a "vacation"
with a Vaudeville couple and ends up on the radio for her father's
competitor.
A rich girl finds more freedom with families that are not so
overly concerned about her, and she has fun helping a couple get
a good job entertaining.
Poppy (1936
b 74') En: 5, Ed: 4
Adapted from Dorothy Donnelly's play, a tonic salesman tries to
get his daughter to inherit a rich estate.
The comedic talent of W. C. Fields is diverting. Perhaps the
greatest irony of the story is that attorney Whiffle marries Maggie
to gain a fortune but gets her without it. The innocence of Poppy
is rewarded, and despite the deceit of McGargle he may benefit
from having raised her.
Prestige (1932
b 71') En: 4, Ed: 5
Based on Harry Hervey's novel, a French officer assigned to run
a prison camp in Indochina succumbs to alcoholism, but his wife
makes him buck up.
This slow-paced drama exposes French racism and colonialism
in Indochina that becomes a "burden" for the prestigious
white race.
Prince and the Pauper,
The (1937 b 118') En: 7, Ed: 7
Based on Mark Twain's novel, a pauper replaces the prince just
as the king dies; much intrigue and crime occurs before Edward
VI gets his place back.
By switching the extremes of society this story satirizes the
inequalities and intrigues of monarchy that is out of touch with
the needs and problems of the poor.
Princess Comes Across,
The (1936 b 76') En: 6, Ed: 5
An actress pretending to be a princess is blackmailed and becomes
involved with a musician and a murder mystery aboard a ship.
This mystery is combined with romantic comedy, satirizing the
absurd privileges of royalty and what actors will do to get into
movies.
Princess Tam Tam (1935 b 77') En: 5, Ed: 5
A writer fights with his wife, teaches an African, and tries to
pass her off as a princess to make his wife jealous; but she is
playing the same game.
This variation of the Pygmalion theme contrasts French civilization
with a "primitive" African. The added plot is both husband
and wife using foreigners to make the other jealous, implying
that they are being exploited by those who really consider their
own culture superior.
Prisoner of Shark
Island, The (1936 b 95') En: 6,
Ed: 7
In this true story Dr. Mudd treats the broken leg of Lincoln's
assassin and is sentenced to life imprisonment; he fails to escape
but treats yellow fever victims.
This unjust imprisonment is well dramatized and made understandable
in its historical context, showing that true stories are often
the most powerful because of their reality.
Prisoner of Zenda, The
(1937 b 101') En: 7, Ed: 6
Based on Anthony Hope's 1894 novel, an Englishman substitutes
as king to foil a plot to take over the kingdom, but he falls
in love with the queen to be.
This adventure story has charm and grace; but with everyone
speaking English in eastern Europe it is an unlikely fantasy that
implies the Englishman is more virtuous and romantic.
Private Detective
(1939 b 56') En: 5, Ed: 4
A woman detective outpaces her police fiancé in solving
a complicated murder case.
This compact mystery has humor and shows a capable woman leading.
Private Life of
Henry VIII (1933 b 94') En: 7,
Ed: 7
Laughton won an Oscar as the lusty king with a big appetite who
went through six wives and countless mistresses.
Focusing on his personal relationships rather than his politics,
this long and eventful reign is portrayed mostly as banquets and
bedroom diplomacy. The desires of the flesh are never really satisfied.
Private Lives (1931
b 85') En: 6, Ed: 7
Based closely on Noel Coward's play, a divorced meet on separate
honeymoons and run off together, repeatedly quarreling and making
up.
This sophisticated comedy explores how passion easily slides
into conflict, as this couple find words keep leading them into
quarrels, showing how the strong emotions of love and hate are
closely related.
Private Lives of
Elizabeth and Essex, The (1939
c 106') En: 7, Ed: 7
Based on Maxwell Anderson's play, an older queen has a love-hate
relationship with a military hero but will not share power with
him.
Although the details of this drama are historically inaccurate,
its spirit is essentially true to the larger events as it portrays
an aging queen, who sacrifices personal love to reign more responsibly
than the rash young man. Ironically the private quarrel between
the imperious Davis and the wild Flynn reflected their roles.
Prizefighter and the
Lady, The (1933 b 102') En: 6,
Ed: 6
An alcoholic boxing promoter finds a great fighter, who marries
a gangster's girlfriend but with success can't leave the women
alone.
When this film was made, Carnera was world champion; he refused
to be in the film if he lost. However, the next year Max Baer
defeated Carnera to take the crown. The story explores the sexual
problems that result from the Professor's insisting on chastity
during training and from Steve's cockiness.
Professional Sweetheart
(1933 b 74') En: 5, Ed: 5
A radio singer with a pure image wants to experience men, and
so her handlers find her an Anglo-Saxon from Kentucky to marry,
trying to renew her contract.
This story satirizes the purity expected by fans and promoters
as contrasted with the free morality desired by entertainers.
Typically, the uninhibited singing of a black woman is rejected
as immoral.
Professor Beware (1938 b 93') En: 5, Ed: 4
In this wild comedy an Egyptologist fears an old love story will
affect him and is pursued across the country by police and the
woman he marries.
This farce plays on the fear that the professor is repeating
a previous life, but their love for each other helps them transcend
the past.
Prosperity (1932
b 87') En: 5, Ed: 5
A woman retires to let her son run the bank, but her friend starts
a panic that results in their living with the friend.
This Depression story combines slapstick humor of Dressler
and Moran with dramatic power from the compassion and enterprise
of the strong Maggie, showing why Marie Dressler was one of the
most popular actresses of this era.
Public Enemy (1931
b 83') En: 7, Ed: 6
This trend-setting gangster film has two forwards and an epilog
apologizing that they are not trying to glorify hoodlums and criminals
but emphasizing that the evils of prohibition violently portrayed
are not a man or a character but a public problem the public must
solve.
The obvious points of this story are stated at the beginning
and the end; but how Tom became an abusive personality can be
seen in his childhood. It is also implied that his outward violence
may be compensation for feelings of sexual inadequacy.
Public Hero #1 (1935
b 90') En: 6, Ed: 5
A government agent infiltrates a gang; but then he falls in love
with the gangster's sister.
This drama also shows the trend toward making government agents
heroes in the war on gangsters. Affection for crime figures changes
to law officers as Theresa's feelings shift from her brother to
Jeff.
Purchase Price, The
(1932 b 68') En:5 , Ed: 5
This story of a nightclub singer who becomes a mail-order bride
on a farm was based on Arthur Stringer's play The Mud Lark.
This romantic story contrasts the city night-life to hard and
simple farming. The shy farmer prolongs the suspense to the anticipated
conclusion, enabling the audience to want them to get together
for most of the movie. Honest hard work pays off and foils the
lusty neighbor.
Puttin' on the Ritz
(1930 b 71') En: 5, Ed: 5
Irving Berlin songs highlight this story of an entertainer who
finds a woman and success but then starts drinking in high society.
Harry and Dolores find success even though their friends are
still struggling. Yet prosperity is ruined by Harry's character
when he drinks with the upper crust. Blindness helps him to learn
humility, and the love of Dolores promises to save him.
Pygmalion (1938
b 96') En: 8, Ed: 8
Bernard Shaw won an Oscar for adapting his play about a phonetics
expert who teaches a flower-girl to speak and behave like a lady.
This faithful adaptation of Shaw's brilliant play satirizes
the English upper class as based primarily on speech and manners
by demonstrating how the poor can join it by learning these skills.
Q
Q Planes (Clouds Over Europe)
(1939 b 81') En: 6, Ed: 6
Test planes are disappearing and are investigated by an eccentric
secret service man, who is helped by his reporter sister and a
chauvinistic pilot.
Droll British humor livens this spy story that reflects concerns
about an imminent war in which aircraft will be important. Kay
represents the modern working woman, but can Tony (Olivier) adjust
his arrogant attitude?
Quality Street (1937 b 84') En: 6, Ed: 5
Adapted from a play by James Barrie, a school-teacher pretends
to be her own niece to win her old beau after he returns from
the Napoleonic wars.
This refined comedy takes on the prevalent fear in this era
that a young woman might end up an old maid if she is not careful.
Queen Christina (1933 b 99') En: 8, Ed: 8
The Swedish queen makes peace, falls in love with the Spanish
ambassador, and abdicates her throne. Her philosophical character
and the events are historical with the major exception of the
romance.
This film emphasizes the romantic theme that even a queen has
the right to choose her own mate. The historical Queen Christina
was tutored by Descartes and abdicated her throne because she
converted to Catholicism in addition to not wanting to marry.
Quick Money (1937
b 61') En: 5, Ed: 4
Two men try to get a small town to invest its school funds in
a summer resort, but the mayor resists the pressure.
This farce offers a morality tale warning local communities
not to invest their school funds in risky ventures.
R
Racket Busters (1938 b 72') En: 5, Ed: 5
Based on court records, racketeers force truck drivers to join
their association while a prosecutor tries to get witnesses to
testify.
This drama reflects efforts to stop racketeering by getting
witnesses to testify against them and also symbolizes the wider
problem of fascism.
Radio City Revels
(1938 b 90') En: 5, Ed: 4
A broke songwriter gets songs from his student's sleep-singing
while his neighbors fall in love with the student and a radio
singer.
This musical comedy satirizes the contrast between a country
hick and desperate New Yorkers lacking rent.
Raffles (1930
b 72') En: 6, Ed: 5
Sidney Howard adapted E. W. Hornung's novel The Amateur Cracksman
about a charming upper-class jewel thief who outsmarts Scotland
Yard.
This charming caper reflects an aristocratic view of a gentleman
clever enough to get away with major crimes; but it is innocent
in a way because no one really gets hurt.
Rage of Paris, The (1938 b 77') En: 6, Ed: 5
A French model is hired to get a millionaire to marry her; but
their strategy is countered by the millionaire's friend, who suspects
the plot.
This comedy plays on the prevalent Depression conflict between
marrying for money or for love. As usual wishes are fulfilled
when the one she loves turns out to have money too.
Rain (1932
b 94') En: 5, Ed: 6
Maxwell Anderson adapted the Colton-Randolph play of Somerset
Maugham's story about the interaction between a loose woman and
a reforming preacher on a south sea island.
This story exposes Christian hypocrisy and the sexist double
standard about sexuality that Jesus forgave and tolerated and
that has turned some, like Horn, from religion to Nietzsche. Davidson,
because of his inner conflict, falls from social prominence and
power to self-inflicted death, while Sadie, whose social position
is the lowest, triumphs with the spirit of life.
Rains Came, The (1939
b 103') En: 6, Ed: 7
Based on Louis Bromfield's novel, unusual romances occur when
characters transform following a natural disaster in India.
This drama shows how a disaster can stimulate people to act
unselfishly in helping others, making the two budding romances
blossom in the passionate rainy season.
Rasputin and the Empress
(1932 b 121') En: 7, Ed: 8
This historical drama about the charismatic Russian monk and the
last Romanovs won an Oscar for its original screenplay by Charles
MacArthur.
In real life the Russian prince won one million dollars in
a libel suit against MGM for indicating his wife had been raped
by Rasputin (apparently in the longer original version). This
led to motion pictures using the disclaimer that any similarity
to actual people is only coincidental. Although the film may not
have been accurate in every detail, it tells the dramatic story
of the Romanov's fall as aided by the phenomenal Rasputin, who
did in fact persuade many women to sin with him so that they could
be saved.
Raven, The (1935
b 61') En: 5, Ed: 4
A surgeon obsessed with the torture ideas of Edgar Allan Poe uses
a criminal to get revenge when he suffers unrequited love.
This stylized film portrays a sadistic doctor who uses his
genius to try to manipulate others; but he fails miserably as
he is caught in his own device.
Reaching for the Moon
(1930 b 73') En: 5, Ed: 5
An aviatrix meets a Wall Street wizard, and he woos her on a cruise
ship while the stock market crashes.
Two ambitious people are drawn together. She sees beyond his
inexperience with women to his touching sincerity even though
at times he can be brash and insensitive. Such men can ride stocks,
yet bounce back.
Ready, Willing and
Able (1937 b 94') En: 5, Ed: 4
A songwriter and a singer put on a show when they get a college
girl with the same name as an English star.
This show offers entertainment while showing some of the struggles
that go into making it happen.
Real Glory, The (1939
b 95') En: 6, Ed: 5
Adapted from Charles L. Clifford's novel, a doctor and American
officers help Filipinos fight off disease and attacking Moros.
Americans with guns and medical science help their Filipino
friends overcome the rebel Moros even though these Muslims use
suicidal attacks.
Rebecca of Sunnybrook
Farm (1938 b 80') En: 6, Ed: 6
Suggested by Kate Wiggin's novel, a little girl is discovered
by her new neighbor and becomes a singing star on radio despite
her aunt's objections.
This Shirley Temple musical comedy shows a positive spirit
overcoming old grudges and selfish greed, but it takes only a
little from the famous children's story.
Reckless (1935
b 97') En: 6, Ed: 5
Based on the life of Libby Holman, a Broadway singer marries a
millionaire, who regrets he gave up his fiancé and kills
himself.
Though Virginia Verrill sings for Harlow, I found this film
quite entertaining and moving. Mona is a sincere and strong character;
Ned is friendly and humorous; Jo is understanding; only Bob is
weak and confused; even Harrison is brought around with the audience
by Mona's integrity.
Red Dust (1932
b 83') En: 6, Ed: 6
A rubber plantation owner has an affair with the wife of an employee
despite the jealousy of a stranded prostitute.
The rainy season is considered a time of passion in the tropics
as this story shows, though they work in the rain. Dennis goes
from no women to choosing between two, complicating their lives.
Red-Headed Woman (1932 b 80') En: 6, Ed: 6
A woman uses her sexual charms to gain the affection of wealthy
men and a French lover.
Censors were perturbed that Lil was not punished for her sins;
but except for the shooting incident perhaps she got what she
deserved. She could manipulate a man with sex, but did this give
her real love? and wasn't she providing entertainment and pleasure?
The story still provides a warning to men about the temptations
of lust.
Reducing (1931
b 77') En: 5, Ed: 5
A reducing parlor operator has her sister's family visit her in
New York, where their daughters compete for an eligible millionaire.
Starting out as slapstick comedy, this story becomes a dramatic
lesson about responsibility in relationship.
Rembrandt (1936
b 84') En: 7, Ed: 8
After his wife dies, the great painter falls into debt and is
not allowed to marry his maid.
This drama is fairly accurate except Rembrandt did not die
in poverty. Even though he was rather successful, this artist
still had to struggle against debt for not pleasing patrons and
for having two common-law wives.
Remember? (1939
b 84') En: 5, Ed: 4
An advertising executive falls in love with his best friend's
fiancé; they marry but quarrel until their friend causes
them to forget.
This comedy uses a scientific fiction to cause irony and humor,
avoiding the issue that Jeff's advertising work is disrupting
his marriage.
Rendezvous (1935
b 94') En: 5, Ed: 5
Based on a novel by Herbert Yardley, who was head of U. S. Secret
Service in World War I, a code expert helps capture a German spy
ring despite romantic flirtation.
This spy thriller combines romantic comedy so that the hero
can help win the war and the girl at the same time, enabling an
audience to see complicated espionage solved and courtship leading
to marriage in 94 minutes.
Renegade Ranger (1938 b 59') En: 5, Ed: 4
A Texas Ranger is assigned to bring in a woman for murder but
discovers that a corrupt tax collector has framed her.
Until he is caught, the crimes of a corrupt county tax collector
cause a local revolt by those who lost their land. Justice is
reflected in this unusual western when the Mexicans get their
land back from the greedy Texans.
Reno (1939
b 73') En: 5, Ed: 4
A lawyer represents miners in Reno and then develops a big practice
with divorce cases, putting a strain on his own marriage.
This epic drama shows how Reno's divorce business affected
the personal life of a lawyer. The treatment reflects current
censorship but nonetheless indicates that divorce is becoming
more socially acceptable.
Return of Dr. X, The (1939 b 63') En: 5, Ed: 4
Adapted from William J. Makin's novel, a reporter and doctor discover
that a criminal doctor is murdering to get blood to keep alive.
This drama explores a horrific result of experimenting with
artificial blood with an executed murderer, reflecting some of
the bizarre possibilities opened up by recent medical discoveries
such as blood groups.
Rich Are Always With
Us, The (1932 b 71') En: 5, Ed:
5
In this adaptation of E. Pettit's novel a rich woman is divorced
when her husband falls in love with a younger woman; but she eventually
marries the writer who has always loved her.
The audience can identify with the strong characters of Caroline
and Julian while observing the weakness of Greg, the immaturity
of Allison, and the feistiness of Malbro. The compassionate Caroline
goes through a natural process of change.
Rich Man, Poor Girl
(1938 b 72') En: 5, Ed: 5
Based on a play by Edith Ellis, a millionaire struggles to understand
the lower middle-class family of his fiancée.
This realistic comedy explores the economic challenges of a
family as contrasted to a man who inherited wealth. Henry's frustration
and ideas stimulate the willing Bill to consider ways he could
help people.
Richest Girl in
the World, The (1934 b 76') En:
5, Ed: 6
The world's wealthiest woman pretends to be her secretary to see
if the man she loves wants her or her money.
This deception attempts to determine if Tony loves Dorothy
or wealth; yet the rich help him along in his poor quest by some
insider trading.
Ride Him, Cowboy (1932 b 56') En: 5, Ed: 4
A white horse and a young cowboy are the heroes in this fast-moving
western about an outlaw gang led by a man pretending to be an
upstanding citizen.
Animal lovers will enjoy the heroism of Duke. The film also
satirizes frontier justice with the trial of a horse and a farce
conducted by a hanging judge. A prominent citizen can also turn
out to be a major criminal.
Riffraff (1936
b 94') En: 6, Ed: 6
An arrogant fisherman tries to boss his union and is thrown out;
his bride gets in trouble with the law trying to help him.
In this melodrama Dutch learns that his quarrelsome and arrogant
behavior is destructive. Unfortunately Hattie will have to suffer
for her misguided attempts to help and join her wayward husband.
Right to Romance, The
(1933 b 67') En: 5, Ed: 5
A woman doctor longs for romance and gets married quickly; but
he likes his previous girl-friend, and she realizes an associate
loves her.
This drama portrays a positive female role model as a surgeon;
but she has to learn about romance that a cheerful playboy is
not right for her. Heppie's love is deeper like hers; but he too
must learn how to express it.
Riptide (1934
b 93') En: 6, Ed: 6
Edmund Goulding wrote and directed this story of an American woman
who marries a British lord, then has a fling with an old flame
before realizing she and her husband really love each other.
This film aroused morality concerns about pre-marital sex and
adultery. Mary learns that for intimacy to develop the truth must
be uncovered. His inability to recognize and express his real
feelings almost cost Philip his wife.
River's End (1930
b 74') En: 5, Ed: 4
Adapted from James Oliver Curwood's novel, a look-alike fugitive
takes the place of a Mounty who died and falls in love with his
girl.
Ironies abound as Keith boldly impersonates the less humane
Mounty and makes friendships despite his precarious situation.
Road Gang (1936
b 61') En: 4, Ed: 5
A journalist exposing a corrupt political boss is railroaded to
a prison mine; but his fiancé and his editor get the attorney
general to help him.
This story dramatizes the brutality of a punitive prison system,
where innocent victims of powerful criminals suffer. In this case
the Attorney General was not controlled by the corrupt politicians
and could save the hero.
Road to Glory, The (1936 b 97') En: 7, Ed: 7
William Faulkner helped write this war story of a French company
fighting in the trenches under two officers in love with the same
nurse.
This grim drama exposes the harsh reality of the world war,
put in perspective by Bouffiou's letter saying he will be in a
serious situation if he doesn't make his music-box payment. Officers
say they are fighting for France and civilization, but how has
France and civilization led them to this insanity?
Roaring Twenties, The
(1939 b 106') En: 7, Ed: 6
Two war veterans go into bootlegging and violence, but a lawyer
turns straight and wins the wholesome girl.
This drama reflects the violence that resulted from the attempt
to ban alcohol as men trained to use guns in the war turned to
crime.
Roberta (1935
b 105') En: 6, Ed: 5
Based on a novel by Alice Duer Miller and the Harbach-Kern play,
musicians from Indiana play in Paris while their friend inherits
a dress business.
This story suggests that American entertainment is equal to
the artistry of Paris fashions. The Puritannical John finds himself
a better match, while the Astaire-Rogers team not only demonstrates
their great dancing, but their singing and comedy talents as well.
Robin Hood of El Dorado,
The (1936 b 85') En: 6, Ed: 6
Based on the historical novel by Walter Noble Burns, after his
wife and brother are murdered, a Mexican farmer gets revenge and
leads bandits against Anglos.
This drama portrays the increasing violence caused by racial
prejudice and unjust behavior of a minority. In this case fortune
hunters from the United States took territory and then property
from Mexicans. The story mirrors the racial violence and lynching
in the United States as well as contemporary atrocities in Nazi
Germany and the Japanese empire.
Roman Scandals (1933 b 92') En: 6, Ed: 5
Eddie imagines himself back in ancient Rome where he uncovers
corruption similar to his small town in this musical comedy choreographed
by Busby Berkeley.
This satire of various movies and the social mores of America
and Rome uses humor, music, and pretty women in revealing costumes
to keep the audience entranced.
Romance (1930
b 76') En: 5, Ed: 6
Based on the play Signora Cacilini by Edward Sheldon, a
young clergyman falls in love with a beautiful opera singer with
a past.
This bittersweet romance shows the difficulty when differing
lifestyles make a marriage for two lovers impractical. The gulf
between the naive minister and the amorous opera star is too large
to be bridged. Tom's advice to his grandson implies he regretted
rejecting Rita because of her past.
Romance In Manhattan
(1935 b 77') En: 5, Ed: 5
An illegal Czech immigrant is helped by a chorus girl and her
younger brother; they fall in love, and a policeman helps them
get married.
This story of America as the immigrants' dream shows some of
the bureaucratic barriers, although the extraordinary assistance
of the police is usually only found in cinematic fantasies like
this one.
Romeo and Juliet (1936 b 125') En: 6, Ed: 7
In this version of Shakespeare's great romantic tragedy the star-crossed
lovers are depicted as mature adults instead of as adolescents.
Even though this movie is considered long, much of Shakespeare's
play was cut. Yet only Shakespeare's lines were used, and their
brilliance makes this a powerful and enlightening experience for
movie-goers. In this classic story male belligerence and violence
overcome young love; but maybe the audience will learn.
Room Service (1938
b 78') En: 6, Ed: 5
Adapted from a play by John Murray and Allen Boretz, a producer
owing money for a hotel room stays there with the author waiting
for backing.
This farce satirizes the desperation of a producer trying to
raise money for a show, implying how fragile show business can
be.
Rosalie (1937
b 124') En: 6, Ed: 5
Based on a play by W. A. McGuire and Guy Bolton with songs by
Cole Porter, a West Point football star and a European princess
fall in love.
This musical comedy is absurdly romantic with Dick flying across
the ocean for a date and Rosalie giving up her kingdom for a football
player, but audiences that like singing, dancing, humor, and a
love story won't mind that.
Rose Marie (1936
b 111') En: 6, Ed: 5
Adapted from the Friml-Hammerstein-Harbach operetta, an opera
singer tries to save her criminal brother and falls in love with
the Mountie pursuing him.
From the sophisticated world of opera to the Canadian wilderness,
music and love draw a singer and Mountie together even though
he performs his duty in arresting her brother. In the process
she is transformed from a complaining prima donna, who dislikes
men, to a woman, who cannot sing without her man.
Rose of Washington
Square (1939 b 86') En: 6, Ed:
5
A singer falls in love with a gambler, who gets in trouble with
debts and the law; but her singing mentor helps her go on.
Despite the disclaimer, this story was so close to the life
of Fanny Brice that she sued and won a settlement. Jolson's singing
is uplifting, and the character Bart learns that shady dealings
have their consequences.
Royal Family of Broadway,
The (1930 b 78') En: 6, Ed: 6
Based on the play by George S. Kaufman and Edna Ferber that satirizes
the theatrical Barrymore family, this story explores the conflict
between actors' life-style and a "normal marriage."
This portrait of a family with theater in their blood shows
how this special dramatic magic can make actors different than
others used to a more hum-drum life. The enrichment they receive
from theatrical experience seems to compensate them for its difficulties
of travel and the psychological confusion that can result from
taking on dramatic emotions and motivations.
Ruggles of Red Gap
(1935 b 90') En: 8, Ed: 7
Adapted from the novel and play by Harry Leon Wilson, a wife hopes
an earl's valet will give her husband culture, but in America
the valet decides to become a self-made man.
This culture clash between wild western behavior and aristocratic
gentility offers delightful comedy as Egbert and eventually Ruggles
shatter the phony expectations of Effie and Belknap-Jackson. The
theme of American freedom and equality as compared to old-world
class distinctions is aptly illustrated.
Rulers of the Sea (1939 b 97') En: 5, Ed: 7
A sailor and machinist work together to make the first steamship
crossing of the Atlantic while the sailor falls in love with the
machinist's daughter.
This drama shows the difficulty of getting support for a new
idea even when it is inevitable that it will eventually surpass
the old ways.
Rules of the Game (French
1939 b 106') En: 7, Ed: 8
At a country estate aristocrats and servants deal with jealousy
and changing partnerships.
This comedy satirizes French morals, changing relationships,
and class distinctions. Only aristocrats are allowed to kill rabbits;
but a servant kills a suspected rival like a rabbit, though the
Marquis covers it up as an accident.